From Nama 684
to 741 the glories of the Divine Mother are discussed.
The
Divine Mother creates illusion or She herself is Maya,
the grand illusion.
The
Divine Mother is in Maya form. One of the effects of Maya Shakti is to hide
from the original thing. Ravana came in the form of deer and Seetha Devi was deceived
even after Lakshmana warned Her about it; She believed that was a deer. This
shows how humans are put to difficulties by Maya.
In
dreaming, humans assume many positive things for them due to Maya effect and on
waking up, the humans find no such things. What was there just earlier, is not
there essentially due to Maya. This universe is a Maya form. Ever since we were
born due to blood and energy flow our body is constantly changing. But we believe
we do not go through the change due to the Maya effect.
The
Divine Mother performs unusual action. She causes unexpected results. What is
not fit to something is found well by Her. What is not something, She makes it look
like that specific thing. Whatever is famous is made to look mean by her. She
holds an immeasurable Shakti. Brahman’s shakti Maya is creating, sustaining,
and holding the universe. Hreem is Beja form for Maya, who is Bhuvaneshvari
Vidya. People say that Maya is making us confused. But it is our ignorance that
we get confused. Sun has no raising or
setting, but it is bright as always, yet we see the sun as rising due to maya
effect. Due to our greed we may think that a shiny clam shell is silver. After testing it, we are disappointed. Is it
the shell which caused us this disappointment? It is our own illusion.
The
Divine Mother gives us knowledge; She creates situations for us to get
disappointment and She is testing our patience. If anyone has no selfish
desire, he can reach Brahman. While knowing this, humans act as if not knowing
due to Maya effect.
Maya
is something that seems to be what it is not. Maya is not absence of something,
but the apparent presence of something that is not real. In the known example
of rope in darkness is seen as snake, Maya gave rise to not non-existent snake
in the rope; it was a snake that was not the rope, as one is not scared by the
absent snake; one is scared by the snake that was not the rope. These two forms
of negations are different in meaning. The world is not something that is
non-existent, it is just not what it appears to be. There is only Brahman. It
gives appearance either as Brahman or as the universe. Therefore, we should not
conclude that one is not the other; we should conclude that one is not
something different from the other.
The Devi Purana says, ‘It is called Maya because it is the instrument of
marvelous actions, producing unimagined results like those in dream or in magic.’
The
soul dwells in this world with the mind (antahkarana) as its instrument upadhi,
meaning limitation or imposition; whereas God dwells here with Maya as His
instrument.
Maya
is a strange power that makes the pure appear as impure and knowledge appear as
ignorance. It hides the real nature of an object and superimposes on it
something that it is not.
It is the power of Maya that creates the seasons, makes the moon wax and wane
and the tides rise and fall. The power of Maya is the Divine Mother’s will
power. For the creation of the universe matter and energy are not enough,
willpower is the key element needed. The three sounds a, u, and m contained the
sacred syllable AUM (OM) stands for the matter, energy, and willpower
respectively. They are also referred to as sattva, rajas, and tamas, three Gunas
and as Brahma, Vishnu, and Shiva. The Divine Mother is that willpower that
prompts creation and the unison of Shiva and Shakti.
The Divine Mother has an illusion as
Maya Herself.
C
N Nachiappan
Singapore, 10 January 2022;
Updated on 16 March 2025.
References:
1.
The Thousand
Names of the Divine Mother published in English by Mata Amritanandamayi Center,
San Ramon, California, USA, with Commentary by T. V Narayana Menon
2.
Shri Lalitha
Sahasranama Stostram published in Tamil by N. Ramaswami Iyer charities’
societies, Trichirapalli, India, with Commentary by C. V. Radhakrishna Sastry.
3.
The Lalitha
Sahasranamam published in Tamil by Shri Ramakrishna Thapovanam,
Thiruipparaithurai, Trichy District, Tamilnadu, India with commentary by
Shrimath Swami Sithbavandar